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Channel: Jenna Benchetrit – Film School Rejects
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How ‘Days of Heaven’ Was Filmed With a Visually Impaired Cinematographer

In Terrence Malick’s Days of Heaven, tension brews when a wealthy, dying farmer is deceived into marrying a young woman at the behest of her lover. It’s a film with little dialogue and subdued...

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The Horrors of Confined Space in ‘Misery’

Stephen King’s oeuvre is widely comprised of horror stories that find grim potential in the corners of everyday human experience, and the film versions of his literary works bring these nightmares to...

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Cherishing The Memory of The ‘Six Feet Under’ Finale

“I have no idea how to do this.” “You just say goodbye.” Goodbyes are rarely easy, and even less so when they’re final. No television show knew this better than HBO’s Six Feet Under, which followed the...

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How ‘The Leftovers’ Hid Its Message In The Music

The word “soundtrack” doesn’t feel right when describing the music featured on The Leftovers. The show has musical currents running through its DNA, entirely apt for a series that enveloped itself with...

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The Battle Style Behind the ‘John Wick’ Red Circle Club Scene

There’s nothing better than a good cinematic battle, but things get even more impressive when one side of the fight is a single individual with the strength of an army. When John Wick was released in...

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The Politics of Being an Outsider in ‘The Way We Were’

Sydney Pollack’s 1973 film The Way We Were is a landmark of a well-explored tradition in romantic cinema: the heartbreaker with a foregone conclusion of two people who are helplessly in love but...

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The ‘In Fabric’ Trailer Promises A Spooky Descent Into Retail Horror

A24‘s newest addition to its distinguished repertoire is In Fabric, a stylish horror-comedy directed by Peter Strickland, helmer of 2014’s The Duke of Burgundy. The trendy production house released the...

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‘Groundhog Day’ and the Tragicomedy of Self-Hatred

“What would you do if you were stuck in one place, and every day was exactly the same, and nothing you did mattered?” “That about sums it up for me.” Legend has it that the set of 1993’s Groundhog Day...

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‘Inside Llewyn Davis’ And The Battlefield of Authenticity

Inside Llewyn Davis is a chronicle of misfortune. Llewyn (Oscar Isaac), a Greenwich Village folk singer struggling to make his career and life work after his musical partner’s suicide, is besieged by...

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Filling a Lonely Void in ‘Lars and the Real Girl’

The childhood toy is a companion around which you can build a whole world. Some kids find their favorite playmates in dolls or action figures, the little plastic pieces coming to life only through...

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Intimacy and Isolation in Tsai Ming-Liang’s ‘The Hole’

I’m lying down now. I’m looking at the hole you made in the ceiling. In 1998, a French production house launched an international cinematic project, commissioning filmmakers from ten different...

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How Amy Seimetz Confronts Mortality in ‘She Dies Tomorrow’

There is a code ingrained into the popular consciousness that says we must all make the best of our final days. The idea is that people can be moved to fulfill — in the brief span of time between...

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Breaking Down the Visual Humor of ‘An American Pickle’

The HBO Max comedy An American Pickle is about many things: intergenerational conflict; tradition versus modernity; different approaches to grieving; how much money a Brooklynite will spend on a single...

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Good News is No News: The Corruption of American Media in ‘Ace in the Hole’

Welcome to The Noirvember Files, a new series dropping the spotlight on essential film noir selections. The titles celebrated here exemplify the style and substance of cinema’s grimiest, most-relatable...

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